Each cinematographer and director has a slightly different definition of framing and shot sizes, but the definitions are similar enough to the following list of traditional shots:
- Wide shot (which also can work as an establishing shot)
- Medium shot
- Two shot
- Close-up
The wide shot
A wide shot reveals where the scene is taking place. Also referred to as a long shot or master shot, a wide shot helps orient the audience. A wide shot also gives the actors room to move within a shot, without the camera having to follow them. Medium shots and close-ups are often cut into a wide shot for variation.
Medium shots
A medium shot in film making is a standard shot that usually shows a character from belly button to slightly above the actor's head. A medium shot is more intimate than a wide shot, but provides more breathing space for the actor than a close-up. A medium shot in film also is used when you have an actor holding something in the frame or elaborating with his hands.
Two-shot
A two shot can either be a form of a medium shot that has two actors standing or sitting next to each other or an over-the-shoulder shot where one actor's back or profile is closer to the camera than the other actor facing the camera. A two shot can save time and money when you have a dialogue scene between two actors by having them both in the frame as they carry on their conversation. The audience diverts their attention to each actor as they speak, instead of having the camera cut to individual shots of each actor speaking. This is also effective when two characters are walking and talking side by side in a two shot.
Close-up
A film-making close-up shot is usually from above a person's chest or the nape of her neck to just slightly above the top of her head. If you get in closer, so that the actor's head fills most of the frame, you have a tight close-up. Going in even tighter, to a person's eyes or mouth, gives you an extreme close-up. Close-ups create a sense of intimacy and the feeling that you're involved in the scene. They also reveal emotion in the eyes or the hint of a smile.
It is important for us to know these shots and how to use them effectively in order to gain the maximum effect on the audience as well as being able to tell the story fluently through out our opening sequence.
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